Interesting read from The Medium.
Article: Anil Dash
I Know Times Are Changing
But despite the recognition, Prince and the Revolution were focused on their work. A few days after the James Brown show, Wendy and Lisa conducted a string section to record a string and piano accompaniment for Purple Rain that Lisa and Prince had arranged. In addition to Lisa adding a much more expressive piano part, there was a three-piece string section which included Lisa’s brother David Coleman on cello. It’s this string part that we can hear rising so dramatically behind the first chorus in the song.
The full version of this orchestral accompaniment track is over ten minutes, matching the original length of the song and then continuing into a more complex coda. But by the time these sessions in Hollywood were done, both the new orchestration and Purple Rain itself would be shorter, to better focus on the purpose for which they were created.
Though the idea of “blue states” and “red states” wouldn’t catch on for another two decades, it’s an appropriate framework for Purple Rain’s goals; The song was designed as a perfect amalgamation of red and blue tastes. Much has been made of Prince’s pioneering role in bridging white and black music, of bringing together funk and soul audiences with more conventional rock fans. But little has been said about exactly how he achieved this effect.
Prince simply made use of one of the most potent and consistent techniques of his career: careful appropriation of popular trends in pop music, filtered through his unique sound.
Traditional evaluations of Purple Rain’s songs have tended to describe it as a particularly original creation, given that it includes such distinctively Prince-ly works as When Doves Cry and Darling Nikki (both of which he wrote and performed entirely by himself). But Prince was always watching closely to see what was popular around him, and he put those observations to use in creating the album.