Interesting read from The Medium.
Article: Anil Dash
I Know Times Are Changing
For example, Prince had shared the stage with the J. Geils Band in 1981, as part of a legendarily ill-fated opening gig for the Rolling Stones where Prince and his band were pelted with objects by the crowd while being booed offstage. A scarring incident, to be sure, but Prince must certainly have noticed that Geils did not get booed offstage. And with good reason — the band’s single Centerfold had just been released two weeks before the Stones show, and would top the charts not long after in February 1982. On the heels of this hit, the band would release Freeze Frame, which was nearly as successful and got to #4 on the Billboard Top 100. Even more striking, the song’s b-side, Flamethrower, went top 20 on the soul charts. The band had an unlikely appeal to both black and white audiences, crossing over in a mirror image of what Prince was striving for.
Little wonder then that Let’s Go Crazy, written just a year later, would incorporate the same staccato organ stabs and driving beat as Freeze Frame (heard quite clearly in the full-length version of Let’s Go Crazy), substituting Prince’s trademark Linn drums for the more conventional sounds of the Geils song, and replacing the “freeze frame!” shout with a similarly percussive “oh no, let’s go!” refrain.
Similarly, in rehearsals from the summer of 1983, we hear Prince referencing what he heard at Paradise Garage, the legendary NYC nightclub. In 1983, that would certainly have included Laid Back’s White Horse, which topped the dance charts that year. Prince‘s creation myth for his song Erotic City was that it was recorded after he and Sheila E. attended a P-Funk concert together and were inspired to stay up all night making the song. And while there may be elements of truth to that story, it’s obvious that he also wanted to create a pastiche of a hit song that was doing well in the clubs.